If all I need is an NLE (non-linear editor) to just focus on editing video, I would choose from one of the following: The latest version 15.2 is just utterly amazing! It can do so much!
SYNFIG STUDIO DOOR OPEN FREE
Regardless, the free version is still powerful in fact, I’ve made a living color grading with the free version. The main differences are that the free version can’t do DCI 4K but can only render up to UHD, noise reduction is not included, several advanced plug-ins aren’t activated, it won’t ingest some 10-bit material without it being converted in other software, and it won’t output DCP files without a watermark to name a few. One thing to note is that there is a paid version that costs $300 that provides additional functionality. Until you get into color grading and needing to connect to a reference monitor, you’ll be just fine without any hardware.
SYNFIG STUDIO DOOR OPEN SOFTWARE
Their equipment is highly affordable, but it’s not necessary for the software to work. Where else can you ingest, edit, create VFX, color grade, mix audio, and deliver all in one application? Despite not being open-source, they can afford to give away Resolve because their main business is selling hardware for the film and broadcast industry. But, let’s move forward and focus on the software side of things on this page:īlackmagic Design’s DaVinci Resolve is in my humble opinion leading the postproduction revolution and blowing the doors open for anyone who cares to enter. And let’s not forget storage! The hardware aspects can easily fill an entirely separate blog. # of cores, amount of RAM, the best GPU you can afford, I/O cards, etc. You’ll need to figure out what your needs are for optimal performance – CPU speed vs. I’m not considering hardware in this particular blog, but I would recommend to get the best computer you can afford. Nearly all the software is platform agnostic, but I will note if any are platform specific. I am going to include open-source / non-commercial software, free commercial software, and academic software. Here are links to software that I find useful for filmmaking and media creation, either through direct experience or having researched as being viable applications for use in media creation. Am I going to be able to create and distribute art and media as I have in the past? The answer is an excited YES! Also important was the ability to collaborate with others when needed. The main issues I had was replacing software while still maintaining a similar workflow. After much research, I’ve decided that using open-source and free software was the way to go in my pursuit of independent filmmaking. Since breaking up with Adobe’s subscription model, I’ve had to rethink my post-production infrastructure and how I was going to move forward.
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